Composite Materials and Resilience

limehouse

On Friday I spent a very enjoyable night at the Bourne Corn Exchange watching what I believe must be the best tribute band in existence, Limehouse Lizzy.

Now I never switch off at gigs looking for examples of innovation and this night was no exception. Singer Wayne Ellis (in the centre of the picture) is a hugely powerful vocalist and bass player but tonight he had a very bad throat infection. After a couple of songs he looked ready to give up when up stepped guitarist Tim Read, on the left and sang lead vocal through the rest of the set.

I realised three important lessons watching the band with its new dynamic:

  • When the Russian, Altshuler analysed the patent database in the 1960s to come up with his 40 TRIZ inventive principles, number 40 was ‘Composite Materials’ and here it was being illustrated by a guitarist who had the ‘composite’ skills of being able to sing and play guitar at the same time.
  • When a system, such as a band like Limehouse Lizzy needs to be resilient, they have to maintain some surplus capacity ie the ability of band members to sing. If the band had simply recruited guitarists who could play guitar they would have had to have cancelled the gig.
  • When he realised the vocals would be taken care of, Wayne simply smiled and told us gruffly “ I will just sit back and play bass then” which made me realise sometimes that the striker needs to get back and help out in defence.
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1 Comment

  1. Ron, you are The Don! Thoroughly thought-provoking similes and parallel-comparisons. If you were in the music world, you’d be in management and talent spotting at a level akin to Simon Cowell! Many thanks for your compliments, patronage and most welcome left-of-field observations. ‘Til the next time…Wayne

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